Yitao Gu




Studio Project
Fungus Among Us (pt.2)
Fungus Among Us (pt.1)
LA FLUX
Stepped Heating
Vertical Suburb
Knowledge of Decentralisation
Some Courtyard
Soil, Roots and Vessel
Cover Not Duplicate

Research Project
City of  No Tomorrow


Practice
Automobile Center, Hebei, China
Office Building, Xingtai, China
Slurp and Sip Restaurant, Shanghai,  China
Pavilion, Shanghai, China







Contact
yitaogu@hotmail.com
yitaog@g.ucla.edu
Fungus  Among Us

Yitao Gu, Kinamee Rhodes
April - June 2023
Instructor: Simon Kim


This project is a study on how to levitate a mass through suspended characters. This character, represented as a pig in the diagram, levitates the mass as it morphs its form, penetrating through the mass, wrapping the mass, or even becoming a part of the mass. A silo is a way to levitate a mass, which is an industrial language found at the pre-existing site, a concrete-mixing facility in Santa Monica. A pig is also a way to levitate a mass, a “pork foot” (jokbal) can be a way to levitate a mass, and we call this a column-module, or just jokbal.

Thus, this mycelium research centre project is a character holding a glass box while it is being held by the boxy mass, with its grotesque limbs spread and extended throughout, becoming both the ceiling/floor structure and the column structure.

One can only glimpse the character’s grotesque limbs as one walks in and looks around. Visible above, the weird pattern of the ceiling structure. And below, the clean surface of the floor finish. Among us, the limbs, the columns, the jokbal, the bodies are rehearsing the play of structure. One cannot view the whole image of the character but one feels that the character is here, anywhere, everywhere. It is trapped inside the mass; it is performing the mass. A backdrop (a mirror, a billboard) is required to argue that the character exists. One views the shadow cast on the billboard as the character performs on a stage. The body is also a site of graphic expression, with surfaces plastered with supergraphics that signify the building’s character to the public.